{"id":90,"date":"2020-02-16T15:30:31","date_gmt":"2020-02-16T14:30:31","guid":{"rendered":"https:\/\/www.leti.lt\/wordpress\/?p=90"},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-29T22:00:00","slug":"danseforum-dialoguedansemusique","status":"publish","type":"post","link":"https:\/\/www.leti.lt\/wordpress\/danseforum-dialoguedansemusique\/","title":{"rendered":"Dialogue danse et musique"},"content":{"rendered":"

Danse forum<\/a>
\u2192 Comptes-ren\u00addus des ate\u00adliers<\/a>
\u2192 Lam\u00adbesc<\/a>

!!Dia\u00adlogue danse-musique \u2013 31 mars 2007

Nous \u00e9tions deux.

Les sen\u00adsa\u00adtions \u00e9taient celles de lour\u00addeur et de dou\u00adceur.

R\u00e9pondre aux besoins, cela peut se faire selon un but que l\u2019on se donne : la sen\u00adsa\u00adtion est l\u00e0 comme indi\u00adca\u00adteur de ce qui est \u00e0 cor\u00adri\u00adger ou am\u00e9\u00adlio\u00adrer, avec tel ou tel exer\u00adcice, que l\u2019on choi\u00adsit ou \u00e9la\u00adbore pour \u00e9ti\u00adrer, pour d\u00e9tendre, pour toni\u00adfier\u2026 Les mou\u00adve\u00adments sont sym\u00e9\u00adtriques, \u00ab clas\u00adsiques \u00bb, \u00ab \u00e9qui\u00adli\u00adbr\u00e9s \u00bb, cibl\u00e9s pour r\u00e9pondre au diag\u00adnos\u00adtic : com\u00adbler le manque, r\u00e9duire l\u2019exc\u00e9dent, har\u00admo\u00adni\u00adser le corps et son \u00e9ner\u00adgie. Il s\u2019agit de s\u2019\u00e9chauffer et se pr\u00e9\u00adpa\u00adrer, pour \u00eatre au maxi\u00admum de nos pos\u00adsi\u00adbi\u00adli\u00adt\u00e9s de la danse qui devrait suivre.

Mais on peut aus\u00adsi r\u00e9pondre aux besoins tels qu\u2019ils s\u2019expriment : on accueille la sen\u00adsa\u00adtion, on n\u2019essaie pas de la cor\u00adri\u00adger, on la laisse se faire un che\u00admin et dire au corps com\u00adment r\u00e9pondre \u00e0 ses besoins. Les mou\u00adve\u00adments sont asy\u00adm\u00e9\u00adtriques, nous sur\u00adprennent en forme de voyage dans les m\u00e9andres de l\u2019organisme : telle par\u00adtie s\u2019ouvre, telle autre s\u2019affirme, la chair s\u2019\u00e9panouit, le rythme se place, \u00e9las\u00adtique et impr\u00e9\u00advi\u00adsible. Pas de but d\u00e9ter\u00admi\u00adn\u00e9, mais un che\u00admin \u00e0 d\u00e9cou\u00advrir et savou\u00adrer, dans un pay\u00adsage dont chaque dimen\u00adsion est abor\u00add\u00e9e comme une incon\u00adnue r\u00e9in\u00adven\u00adt\u00e9e d\u2019une danse qui a lieu.

Pen\u00addant que je vous \u00e9cris, Blaise Cen\u00addrars sur Arte, qui n\u2019aime pas les hi\u00e9\u00adrar\u00adchies des mots : \u00ab Il faut que l\u2019\u00e9criture soit adap\u00adt\u00e9e \u00e0 ce que j\u2019ai \u00e0 dire main\u00adte\u00adnant, et non \u00e0 ce que j\u2019ai dit avant. \u00bb Ecri\u00adtures du corps.

Nous repar\u00adlons d\u2019autonomie. Le b\u00e9b\u00e9 ne na\u00eet pas seul : il lui faut sa m\u00e8re au mini\u00admum, puis la pesan\u00adteur, l\u2019air et le soleil, le son et la voix, la saveur lac\u00adt\u00e9e, le par\u00adfum de la peau. Le dan\u00adseur n\u2019est pas seul sur sc\u00e8ne : les lignes, les volumes, la fra\u00ee\u00adcheur de l\u2019air sur sa peau, il va les che\u00advau\u00adcher pour tra\u00adver\u00adser la rivi\u00e8re. Il peut choi\u00adsir les notes sur les\u00adquelles rebon\u00addir, le long du temps, de l\u2019espace, en inten\u00adsi\u00adt\u00e9. Son corps fait \u00e9cho \u00e0 ce qui l\u2019environne en un dia\u00adlogue de sen\u00adsa\u00adtions.

Explo\u00adrer les contraintes et leur apport, cela demande de pui\u00adser dans les res\u00adsources. La masse s\u2019est mise en route, au bord du d\u00e9col\u00adlage. Sur le rec\u00adtangle des tata\u00admis et sous le chant des oiseaux, les pieds ont inven\u00adt\u00e9 mille des\u00adsins et inten\u00adsi\u00adt\u00e9s, lib\u00e9\u00adrant l\u2019espace de ses murs\u2026

Andr\u00e9ine Bel

d\u2019apr\u00e8s les retours de : Andr\u00e9ine B, Laurent B.<\/p>

Article cr\u00e9\u00e9 le 16\/02\/2020<\/p>","protected":false},"excerpt":{"rendered":"

Danse forum\u2192 Comptes-ren\u00ad\u00addus des ate\u00adliers\u2192 Lam\u00adbesc !!Dia\u00adlogue danse-musique \u2013 31 mars 2007 Nous \u00e9tions deux. Les sen\u00adsa\u00adtions \u00e9taient celles de lour\u00addeur et de dou\u00adceur. R\u00e9pondre aux besoins, cela peut se faire selon un but que l\u2019on se donne : la sen\u00adsa\u00adtion est l\u00e0 comme indi\u00adca\u00adteur de ce qui est \u00e0 cor\u00adri\u00adger ou am\u00e9\u00adlio\u00adrer, avec tel ou tel exer\u00adcice, que l\u2019on choi\u00adsit ou \u00e9la\u00adbore pour \u00e9ti\u00adrer, pour d\u00e9tendre, pour toni\u00adfier\u2026 Les mou\u00adve\u00adments sont sym\u00e9\u00adtriques, \u00ab clas\u00adsiques \u00bb, \u00ab \u00e9qui\u00adli\u00adbr\u00e9s \u00bb, cibl\u00e9s pour r\u00e9pondre au diag\u00adnos\u00adtic : com\u00adbler le manque, [\u2026]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[184],"tags":[208],"class_list":["post-90","post","type-post","status-publish","format-standard","hentry","category-ateliers_lambesc","tag-df_lambesc"],"yoast_head":"\nDialogue danse et musique - Le TILT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.leti.lt\/wordpress\/danseforum-dialoguedansemusique\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dialogue danse et musique - Le TILT\" \/>\n<meta property=\"og:description\" content=\"Danse forum\u2192 Comptes-ren\u00addus des ate\u00adliers\u2192 Lam\u00adbesc !!Dia\u00adlogue danse-musique \u2013 31 mars 2007 Nous \u00e9tions deux. 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