{"id":360,"date":"2020-02-16T15:30:35","date_gmt":"2020-02-16T14:30:35","guid":{"rendered":"https:\/\/www.leti.lt\/wordpress\/?p=360"},"modified":"2020-09-05T15:21:38","modified_gmt":"2020-09-05T13:21:38","slug":"variations-cronos","status":"publish","type":"post","link":"https:\/\/www.leti.lt\/wordpress\/variations-cronos\/","title":{"rendered":"Cronos"},"content":{"rendered":"\n<p class=\"has-text-align-left\"><b><span class=\"dquo\">\u201c<\/span>An actor who never ges\u00adtures twice the same, but makes ges\u00adtures, moves, and cer\u00adtain\u00adly bru\u00adta\u00adlises forms, but behind these forms, and through their des\u00adtruc\u00adtion, he merges with that which sur\u00advives the forms and pro\u00adpels their conti\u00adnua\u00adtion.\u201d<\/b><br><br>\u00ab L\u2019acteur qui ne refait pas deux fois le m\u00eame geste, mais qui fait des gestes, bouge, et certes il bru\u00adta\u00adlise des formes, mais der\u00adri\u00e8re ces formes, et par leur des\u00adtruc\u00adtion, il rejoint ce qui sur\u00advit aux formes et pro\u00adduit leur conti\u00adnua\u00adtion.&nbsp;\u00bb<br><br>(Anto\u00adnin Artaud)<br><br>1. <b>They said it about Cronos<\/b><\/p>\n\n\n\n<p class=\"has-text-align-left\">\u27a1 <a href=\"http:\/\/dai.ly\/xavqyp\" target=\"_blank\" rel=\"noreferrer noopener\">Suivre ce lien vers la vid\u00e9o<\/a> <br><br><b>This docu\u00adment has been edi\u00adted on the basis of recor\u00added inter\u00adviews and video shoo\u00adtings of work ses\u00adsions on CRONOS during the first per\u00adiod, Februa\u00adry to May 1994&nbsp;in New Del\u00adhi, India. Video excerpts are not in chro\u00adno\u00adlo\u00adgi\u00adcal order. The pri\u00adma\u00adry aim of these recor\u00addings was to sup\u00adply mate\u00adrial for the ana\u00adly\u00adsis of the crea\u00adtive pro\u00adcess. Only later we deci\u00added to edit a&nbsp;docu\u00adment for public dis\u00adtri\u00adbu\u00adtion. Visual qua\u00adli\u00adty is that of cam\u00adcor\u00adders in that per\u00adiod (video 8&nbsp;for\u00admat)!<\/b><br><br>Le pr\u00e9\u00adsent docu\u00adment a&nbsp;\u00e9t\u00e9 assem\u00adbl\u00e9 \u00e0&nbsp;par\u00adtir d\u2019enregistrements de dis\u00adcus\u00adsions et de vid\u00e9os des s\u00e9ances de tra\u00advail sur CRONOS (pre\u00admi\u00e8re p\u00e9riode&nbsp;: f\u00e9vrier \u00e0&nbsp;mai 1994) \u00e0&nbsp;New Del\u00adhi (Inde). Les extraits de vid\u00e9os ne sont pas dans l\u2019ordre chro\u00adno\u00adlo\u00adgique. Ini\u00adtia\u00adle\u00adment, ces enre\u00adgis\u00adtre\u00adments \u00e9taient des\u00adti\u00adn\u00e9s \u00e0&nbsp;ser\u00advir de sup\u00adport \u00e0&nbsp;une ana\u00adlyse du pro\u00adces\u00adsus cr\u00e9a\u00adtif. Ce n\u2019est que plus tard que nous avons eu l\u2019id\u00e9e de publier un docu\u00adment. La qua\u00adli\u00adt\u00e9 visuelle est celle des cam\u00e9\u00adscopes de l\u2019\u00e9poque (for\u00admat video 8) !<br><br><b>Edi\u00adted and pro\u00addu\u00adced by Andr\u00e9ine &amp;&nbsp;Ber\u00adnard Bel, 1994.<\/b><br><br>\u2014\u200a\u2014\u200a\u2014\u200a\u2014\u200a\u2013<br><br>2. CRONOS,<b> a&nbsp;pre\u00adsen\u00adta\u00adtion of the cho\u00adreo\u00adgra\u00adphic&nbsp;work<\/b><\/p>\n\n\n\n<p class=\"has-text-align-left\">\u27a1 <a href=\"http:\/\/dai.ly\/xasxzc\" target=\"_blank\" rel=\"noreferrer noopener\">Suivre ce lien vers la vid\u00e9o<\/a> <br><br><b>CRONOS is a&nbsp;bold new dance piece, the result of an unor\u00adtho\u00addox move\u00adment work\u00adshop led by French cho\u00adreo\u00adgra\u00adpher Andr\u00e9ine Bel. Uti\u00adli\u00adsing a&nbsp;tech\u00adnique which deli\u00adbe\u00adra\u00adte\u00adly baffles, amuses and mys\u00adti\u00adfies the per\u00adfor\u00admers, she for\u00adced them to confront the naked core of their expres\u00adsive powers.<\/b><br><br><b>Concep\u00adtual\u00adly, Cro\u00adnos is he who esta\u00adbli\u00adshed tem\u00adpo\u00adral order, chro\u00adno\u00adlo\u00adgy. His grue\u00adsome deed and sub\u00adsequent regur\u00adgi\u00adta\u00adtion work as power\u00adful meta\u00adphors for cycli\u00adcal time. In the pro\u00adduc\u00adtion, pri\u00admal phy\u00adsi\u00adca\u00adli\u00adty and a&nbsp;cur\u00advi\u00adli\u00adnear time concept are the two rol\u00adlers bet\u00adween which the per\u00adfor\u00admers sub\u00admit them\u00adselves to a&nbsp;radi\u00adcal re-pro\u00adces\u00adsing of \u2018per\u00adfor\u00admance\u2019.<\/b><br><br><b>The aural para\u00adme\u00adter of CRONOS is occu\u00adpied lar\u00adge\u00adly by the music of the enig\u00adma\u00adtic Ita\u00adlian com\u00adpo\u00adser Gia\u00adcin\u00adto Scel\u00adsi, a&nbsp;unique research into vibra\u00adtions, sound and time.<\/b><br><br>\u00ab Je ne consi\u00add\u00e8re pas les dan\u00adseurs comme de simples ex\u00e9\u00adcu\u00adtants d\u2019une par\u00adti\u00adtion cho\u00adr\u00e9\u00adgra\u00adphique. Il s\u2019agit inter\u00adro\u00adger en pre\u00admier lieu la \u201csono\u00adri\u00adt\u00e9 des corps\u201d: les sen\u00adsa\u00adtions pro\u00advo\u00adqu\u00e9es, au niveau pr\u00e9-expres\u00adsif, par un geste ou une atti\u00adtude. Pen\u00addant ce tra\u00advail d\u2019exploration, la cho\u00adr\u00e9\u00adgra\u00adphie conti\u00adnue \u00e0&nbsp;se pr\u00e9\u00adci\u00adser de mani\u00e8re abs\u00adtraite. Puis vient le moment de pro\u00adje\u00adter ces id\u00e9es dans un espace et un temps rigou\u00adreu\u00adse\u00adment d\u00e9li\u00admi\u00adt\u00e9s. Ici encore je tiens \u00e0&nbsp;ce que les dan\u00adseurs d\u00e9couvrent eux-m\u00eames, par la recherche d\u2019une sen\u00adsa\u00adtion pro\u00adfonde vers laquelle je les dirige pro\u00adgres\u00adsi\u00adve\u00adment, le mou\u00adve\u00adment qui r\u00e9pond aux inten\u00adtions et contraintes cho\u00adr\u00e9\u00adgra\u00adphiques\u2026<br><br>Le temps et l\u2019espace sont donc essen\u00adtiels dans ma d\u00e9marche. L\u2019espace de CRONOS existe d\u00e9j\u00e0, j\u2019en ai re\u00e7u l\u2019empreinte dans cette val\u00adl\u00e9e qui regarde le mont B\u00e9go. Le temps est \u00e0&nbsp;la fois cyclique, ma\u00ee\u00adtri\u00ads\u00e9 et \u201cm\u00e9tri\u00ads\u00e9\u201d, mais aus\u00adsi tota\u00adle\u00adment fluide, comme ce temps sacr\u00e9 \u00e9vo\u00adqu\u00e9 par Mir\u00adcea Eliade qui peut vous trans\u00adpor\u00adter tr\u00e8s loin\u2026 \u00bb<br><br>Andr\u00e9ine Bel<br><br><b>This pre\u00adsen\u00adta\u00adtion is based on per\u00adfor\u00admances in Mum\u00adbai (<em>Natio\u00adnal Cen\u00adter for the Per\u00adfor\u00adming Arts<\/em>, 8\u200a\u2013\u200a9 Octo\u00adber 1994) and New Del\u00adhi (<em>Shri Ram Centre<\/em>, 31 Octo\u00adber&nbsp;1994).<\/b><\/p>\n<p style=\"color:green; text-align:right !important;\">Article cr\u00e9\u00e9 le 16\/02\/2020 \u2013 modi\u00adfi\u00e9 le 5\/09\/2020<\/p>","protected":false},"excerpt":{"rendered":"<p><span class=\"dquo\">\u201c<\/span>An actor who never ges\u00adtures twice the same, but makes ges\u00adtures, moves, and cer\u00adtain\u00adly bru\u00adta\u00adlises forms, but behind these forms, and through their des\u00adtruc\u00adtion, he merges with that which sur\u00advives the forms and pro\u00adpels their conti\u00adnua\u00adtion.\u201d \u00ab&nbsp;L\u2019acteur qui ne refait pas deux fois le m\u00eame geste, mais qui fait des gestes, bouge, et certes il bru\u00adta\u00adlise des formes, mais der\u00adri\u00e8re ces formes, et par leur des\u00adtruc\u00adtion, il rejoint ce qui sur\u00advit aux formes et pro\u00adduit leur conti\u00adnua\u00adtion.&nbsp;\u00bb (Anto\u00adnin Artaud) 1.&nbsp;[\u2026]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[95],"tags":[172],"class_list":["post-360","post","type-post","status-publish","format-standard","hentry","category-images","tag-variations_images"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cronos - Le TILT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.leti.lt\/wordpress\/variations-cronos\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cronos - Le TILT\" \/>\n<meta property=\"og:description\" content=\"\u201cAn actor who never ges\u00adtures twice the same, but makes ges\u00adtures, moves, and cer\u00adtain\u00adly bru\u00adta\u00adlises forms, but behind these forms, and through their des\u00adtruc\u00adtion, he merges with that which sur\u00advives the forms and pro\u00adpels their continuation.\u201d \u00ab&nbsp;L\u2019acteur qui ne refait pas deux fois le m\u00eame geste, mais qui fait des gestes, bouge, et certes il bru\u00adta\u00adlise des formes, mais der\u00adri\u00e8re ces formes, et par leur des\u00adtruc\u00adtion, il rejoint ce qui sur\u00advit aux formes et pro\u00adduit leur continuation.&nbsp;\u00bb (Anto\u00adnin Artaud) 1. 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