{"id":287,"date":"2020-02-16T15:30:34","date_gmt":"2020-02-16T14:30:34","guid":{"rendered":"https:\/\/www.leti.lt\/wordpress\/?p=287"},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-29T22:00:00","slug":"danserecherche-sensationetimagination","status":"publish","type":"post","link":"https:\/\/www.leti.lt\/wordpress\/danserecherche-sensationetimagination\/","title":{"rendered":"Sensation et imagination"},"content":{"rendered":"

Danse recherche<\/a>
\u2192 Che\u00admi\u00adne\u00adment de la danse recherche<\/a>

!! Sen\u00adsa\u00adtion et ima\u00adgi\u00adna\u00adtion \u2013 jan\u00advier 2007

Bon\u00adnie Bain\u00adbridge Cohen, \u00e0 l\u2019origine du Body Mind Cen\u00adte\u00adring (New-York,
19973), men\u00adtionne avoir ren\u00adcon\u00adtr\u00e9 bri\u00e8\u00adve\u00adment Haru\u00adchi\u00adka Nogu\u00adchi, le fon\u00adda\u00adteur du Sei\u00adtai.
Elle en t\u00e9moigne comme d\u2019une ren\u00adcontre impor\u00adtante dans son livre \u00ab Sen\u00adtir, res\u00adsen\u00adtir et agir \u00bb (\u00e9di\u00adtion
Nou\u00advelles de danse).

Je me rends compte com\u00adbien le mot \u00ab sen\u00adsa\u00adtion \u00bb
peut faire r\u00e9f\u00e9\u00adrence \u00e0 des approches dif\u00adf\u00e9\u00adrentes. Je vois deux p\u00f4les
d\u2019approche de la sen\u00adsa\u00adtion.

Bon\u00adnie part des organes \u00e0 tra\u00advers l\u2019imaginaire et les repr\u00e9\u00adsen\u00adta\u00adtions
qui leur sont li\u00e9s (ana\u00adto\u00admiques, phy\u00adsio\u00adlo\u00adgiques, cultu\u00adrelles) pour \u00e9veiller, nour\u00adrir,
abou\u00adtir \u00e0 \u00ab l\u2019incorporation \u00bb de et par la sen\u00adsa\u00adtion. L\u2019impulsion don\u00adn\u00e9e est
cen\u00adtri\u00adp\u00e8te, pour\u00adrait-on dire, elle va de l\u2019ext\u00e9rieur vers l\u2019int\u00e9rieur.

La sen\u00adsa\u00adtion nour\u00adrit \u00e0 son tour l\u2019imaginaire et ses repr\u00e9\u00adsen\u00adta\u00adtions,
en contre\u00adpoint, comme le reflux est n\u00e9ces\u00adsaire au flux.

Nogu\u00adchi part de la sen\u00adsa\u00adtion des inten\u00adsi\u00adt\u00e9s [du Corps sans organes<\/b> ?]
qui lui \u00e9voque des repr\u00e9\u00adsen\u00adta\u00adtions, des
d\u00e9duc\u00adtions, vers l\u2019imaginaire donc. Le mou\u00adve\u00adment est dyna\u00admi\u00adque\u00adment
cen\u00adtri\u00adfuge, l\u2019imaginaire ne venant qu\u2019en reflux.

Bien enten\u00addu, ces deux mou\u00adve\u00adments alternent dans cha\u00adcune des deux
d\u00e9marches, mais tou\u00adjours l\u2019un revient vers l\u2019imaginaire\/repr\u00e9sentation comme source
des sen\u00adsa\u00adtions, l\u2019autre vers la sen\u00adsa\u00adtion comme source de
l\u2019imaginaire.

L\u2019imaginaire comme source des sen\u00adsa\u00adtions, c\u2019est le men\u00adtal qui parle
en pre\u00admier et se relie au corps, le fa\u00e7onne, le sculpte. C\u2019est une
\u0153uvre \u00e9la\u00adbo\u00adr\u00e9e o\u00f9 l\u2019imaginaire rend sa po\u00e9\u00adsie au corps. Ceci fait
dire \u00e0 ceux qui pensent ne pas \u00eatre po\u00e8tes, que les sen\u00adsa\u00adtions sont
du domaine des r\u00eaves, de la fan\u00adtai\u00adsie, donc quelque chose de pas
fiable du tout.

La sen\u00adsa\u00adtion comme source de l\u2019imaginaire, c\u2019est le ha\u00ef\u00adku de la
po\u00e9\u00adsie \u2013 brute de d\u00e9cof\u00adfrage. Le corps parle en
pre\u00admier, il se relie au monde, nour\u00adrit l\u2019imaginaire. Il rend sa
po\u00e9\u00adsie \u00e0 l\u2019imaginaire. Les sen\u00adsa\u00adtions deviennent du coup beau\u00adcoup plus
fiables pour les esprits cri\u00adtiques. C\u2019est l\u00e0 que je situe\u00adrais le sei\u00adtai<\/b>.

Et la danse telle que nous l\u2019envisageons dans nos ate\u00adliers ?

Pro\u00adba\u00adble\u00adment au point d\u2019\u00e9quilibre mou\u00advant de ces deux approches de la sen\u00adsa\u00adtion.

Andr\u00e9ine Bel<\/p>

Article cr\u00e9\u00e9 le 16\/02\/2020<\/p>","protected":false},"excerpt":{"rendered":"

Danse recherche\u2192 Che\u00admi\u00adne\u00adment de la danse recherche !! Sen\u00adsa\u00adtion et ima\u00adgi\u00adna\u00adtion \u2013 jan\u00advier 2007 Bon\u00adnie Bain\u00adbridge Cohen, \u00e0 l\u2019origine du Body Mind Cen\u00adte\u00adring (New-York,19973), men\u00adtionne avoir ren\u00adcon\u00adtr\u00e9 bri\u00e8\u00adve\u00adment Haru\u00adchi\u00adka Nogu\u00adchi, le fon\u00adda\u00adteur du Sei\u00adtai.Elle en t\u00e9moigne comme d\u2019une ren\u00adcontre impor\u00adtante dans son livre \u00ab Sen\u00adtir, res\u00adsen\u00adtir et agir \u00bb (\u00e9di\u00adtionNou\u00advelles de danse). Je me rends compte com\u00adbien le mot \u00ab sen\u00adsa\u00adtion \u00bbpeut faire r\u00e9f\u00e9\u00adrence \u00e0 des approches dif\u00adf\u00e9\u00adrentes. Je vois deux p\u00f4lesd\u2019approche de la sen\u00adsa\u00adtion. Bon\u00adnie part des organes \u00e0 tra\u00advers l\u2019imaginaire et les repr\u00e9\u00adsen\u00adta\u00adtionsqui leur sont li\u00e9s (ana\u00adto\u00admiques, [\u2026]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[131],"tags":[159],"class_list":["post-287","post","type-post","status-publish","format-standard","hentry","category-a_propos_de_la_dr","tag-a_propos_de_la_dr"],"yoast_head":"\nSensation et imagination - Le TILT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.leti.lt\/wordpress\/danserecherche-sensationetimagination\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sensation et imagination - Le TILT\" \/>\n<meta property=\"og:description\" content=\"Danse recherche\u2192 Che\u00admi\u00adne\u00adment de la danse recherche !! 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