{"id":286,"date":"2020-02-16T15:30:34","date_gmt":"2020-02-16T14:30:34","guid":{"rendered":"https:\/\/www.leti.lt\/wordpress\/?p=286"},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-29T22:00:00","slug":"danserecherche-scenariosautourduneimprovisation","status":"publish","type":"post","link":"https:\/\/www.leti.lt\/wordpress\/danserecherche-scenariosautourduneimprovisation\/","title":{"rendered":"Sc\u00e9narios autour d\u2019une improvisation"},"content":{"rendered":"<p><a href=\"https:\/\/www.leti.lt\/wordpress\/danserecherche-danserecherche\/\">Danse recherche<\/a><br>\u2192 <a href=\"https:\/\/www.leti.lt\/wordpress\/danserecherche-lecrituredeladanserecherche\/\">L\u2019\u00e9criture de la danse recherche<\/a><br><br>!! Sc\u00e9\u00adna\u00adrios autour d\u2019une impro\u00advi\u00adsa\u00adtion \u2013 juin 2006<br><br>\u2019\u2019Ce texte a&nbsp;\u00e9t\u00e9 \u00e9crit \u00e0&nbsp;la suite d\u2019une pr\u00e9\u00adsen\u00adta\u00adtion publique d\u2019un tra\u00advail de L\u00e9o\u00adnar\u00addo Cen\u00adti et Toshi\u00adko Oiwa avec Andr\u00e9ine Bel.\u2019\u2019<br><br>\u2019\u2019\u20191 -\u2019\u2019\u2019 Nous avons com\u00admen\u00adc\u00e9 en ne fai\u00adsant que ce que le corps d\u00e9ci\u00addait de faire, en mou\u00adve\u00adments invo\u00adlon\u00adtaires et semi-invo\u00adlon\u00adtaires. Bou\u00adle\u00adver\u00adse\u00adment, enthou\u00adsiasme.<br><br>Beau\u00adt\u00e9 sublime de l\u2019instant en par\u00adfait accord avec le res\u00adsen\u00adti.<br><br>Le corps est coor\u00addon\u00adn\u00e9, tout est en mou\u00adve\u00adment, chaque cel\u00adlule.<br><br>Est-ce \u00e0&nbsp;mon\u00adtrer&nbsp;? C\u2019est un spec\u00adtacle inti\u00admiste&nbsp;: j\u2019observe et laisse faire.<br><br>\u2019\u2019Toshi\u00adko\u2019\u2019 : Je t\u00e9l\u00e9\u00adphone \u00e0&nbsp;ma conscience. L\u2019involontaire fait \u00e9cho \u00e0&nbsp;l\u2019inconscient.<br><br>\u2019\u2019L\u00e9o\u00adnar\u00addo\u2019\u2019 : Pour une fois, le cer\u00adveau n\u2019est plus dans \u00ab&nbsp;je dois&nbsp;\u00bb.<br><br>\u2019\u2019Toshi\u00adko\u2019\u2019 : La force de gra\u00advi\u00adt\u00e9 est confor\u00adtable. On exp\u00e9\u00adri\u00admente une relaxa\u00adtion comme de l\u2019eau qui coule, calme. Les espaces int\u00e9\u00adrieurs (\u00e9normes) et ext\u00e9\u00adrieurs (petits) s\u2019\u00e9changent.<br><br>\u2019\u2019L\u00e9o\u00adnar\u00addo\u2019\u2019 : quand je laisse faire, le corps est auto-contr\u00f4\u00adl\u00e9, tout est coor\u00addon\u00adn\u00e9.<br><br>La pure\u00adt\u00e9, accep\u00adter la dua\u00adli\u00adt\u00e9, accueillir ce qui n\u2019est pas agr\u00e9able.<br><br>\u2019\u2019Andr\u00e9ine\u2019\u2019 : la sen\u00adsa\u00adtion est fruit du pr\u00e9\u00adsent qui s\u2019inscrit dans notre his\u00adtoire.<br><br>\u2019\u2019\u20192 \u2013 \u2019\u2019\u2019Doutes&nbsp;: est-ce de la danse&nbsp;? Est-ce \u00e0&nbsp;mon\u00adtrer&nbsp;? Com\u00adment&nbsp;?<br><br>\u2019\u2019\u20193 -\u2019\u2019\u2019 N\u00e9ant&nbsp;: l\u2019ancien n\u2019est plus pos\u00adsible sans tra\u00adhir les sen\u00adsa\u00adtions imm\u00e9\u00addiates. Le nou\u00adveau n\u2019est pas mon\u00adtrable. L\u2019involontaire a&nbsp;ses lois, qui ne sup\u00adporte pas la mani\u00adpu\u00adla\u00adtion.<br><br>\u2019\u2019\u20194 -\u2019\u2019\u2019 Sur\u00adsaut&nbsp;: le fil conduc\u00adteur. La sen\u00adsa\u00adtion fait sens, m\u00eame si elle n\u2019a pas de sens pr\u00e9\u00add\u00e9\u00adter\u00admi\u00adn\u00e9. Le sens appa\u00adra\u00eet au fur et \u00e0&nbsp;mesure de l\u2019improvisation. Il est indi\u00advi\u00adduel&nbsp;: cha\u00adcun va trou\u00adver son sens au d\u00e9rou\u00adle\u00adment de la danse, spec\u00adta\u00adteur et dan\u00adseur. Le sens am\u00e8ne plus de conscience, plus de mou\u00adve\u00adments for\u00adm\u00e9s consciem\u00adment, spon\u00adta\u00adn\u00e9\u00adment. [Le mou\u00adve\u00adment sort juste de l\u2019\u0153uf. Il a&nbsp;encore la sen\u00adsa\u00adtion de l\u2019unit\u00e9 et de la tota\u00adli\u00adt\u00e9 qui \u00e9tait la sienne dans le secret de l\u2019\u0153uf. Il a&nbsp;d\u00e9j\u00e0 le des\u00adsin de la forme vierge.]<br><br>La dis\u00adtance au sens per\u00admet au spec\u00adta\u00adteur de recr\u00e9er l\u2019oeuvre.<br><br>\u2019\u2019\u20195 -\u2019\u2019\u2019 Retom\u00adb\u00e9e&nbsp;: l\u2019habitude et la pr\u00e9\u00advi\u00adsi\u00adbi\u00adli\u00adt\u00e9 de la sen\u00adsa\u00adtion font retom\u00adber la cr\u00e9a\u00adti\u00advi\u00adt\u00e9. Appri\u00advoi\u00adse\u00adment n\u00e9ces\u00adsaire&nbsp;? Etape incon\u00adtour\u00adnable&nbsp;?<br><br>\u2019\u2019\u20196 -\u2019\u2019\u2019 L\u2019incertitude&nbsp;: ne plus savoir quoi faire, ni com\u00adment faire, si on va \u00eatre capable de cr\u00e9er.<br><br>\u2019\u2019\u20197-\u2019\u2019\u2019 Accom\u00adplis\u00adse\u00adment&nbsp;: ten\u00adsion f\u00e9con\u00addante, ful\u00adgu\u00adrance de l\u2019instant, voyage de l\u2019\u00eatre et du deve\u00adnir, le fil de la vie se d\u00e9roule le long d\u2019un pr\u00e9\u00adtexte&nbsp;: tel son, telle mal\u00adadresse, une per\u00adruque, le contact des peaux.<br><br>\u2019\u2019\u20198 -\u2019\u2019\u2019 Les retours du public&nbsp;:<br><br>* C\u2019est l\u2019essence de la danse que j\u2019ai vu.<br><br>* J\u2019ai com\u00adpris une his\u00adtoire de couple et de vie, m\u00eame si vous vous \u00eates lais\u00ads\u00e9s gui\u00adder par vos seules sen\u00adsa\u00adtions. On aurait dit que votre danse \u00e9tait struc\u00adtu\u00adr\u00e9e, avec un d\u00e9but, un d\u00e9ve\u00adlop\u00adpe\u00adment et une fin.<br><br>* Si la musique influence votre danse, com\u00adment gar\u00adder la sen\u00adsa\u00adtion pure&nbsp;? [la sen\u00adsa\u00adtion pure n\u2019existe pas. D\u00e8s qu\u2019elle vient \u00e0&nbsp;la conscience, elle est re-sen\u00adtie, c\u2019est \u00e0&nbsp;dire inter\u00adpr\u00e9\u00adt\u00e9e. Elle est tri\u00adbu\u00adtaire de l\u2019histoire de la per\u00adsonne, pas\u00ads\u00e9e, pr\u00e9\u00adsente et \u00e0&nbsp;venir, et elle est influen\u00adc\u00e9e par l\u2019environnement imm\u00e9\u00addiat. C\u2019est ce qui en fait sa richesse.]<br><br>* C\u2019est trop inti\u00admiste, cela me g\u00eane \u00e0&nbsp;regar\u00adder. [retour n\u00e9ces\u00adsaire vers le nar\u00adcis\u00adsisme pour don\u00adner \u00e0&nbsp;mon\u00adtrer, \u00e9du\u00adca\u00adtion n\u00e9ces\u00adsaire du regard habi\u00adtu\u00e9 au fac\u00adtice, qu\u2019il confond avec la repr\u00e9\u00adsen\u00adta\u00adtion]<br><br>* J\u2019ai cher\u00adch\u00e9 \u00e0&nbsp;com\u00adprendre&nbsp;: pour\u00adquoi cette per\u00adruque&nbsp;? [capa\u00adci\u00adt\u00e9 du dan\u00adseur \u00e0&nbsp;sor\u00adtir de la sc\u00e8ne et \u00e0&nbsp;y entrer \u00e0&nbsp;volon\u00adt\u00e9, pour dif\u00adf\u00e9\u00adren\u00adcier l\u2019espace. El\u00e9\u00adments de th\u00e9\u00e2\u00adtra\u00adli\u00adsa\u00adtion qui per\u00admettent de reve\u00adnir un moment dans le temps mon\u00addain, dif\u00adf\u00e9\u00adren\u00adcia\u00adtions du temps]<br><br>* D\u2019habitude, j\u2019ai envie de dan\u00adser en regar\u00addant dan\u00adser. Ici, je me suis trou\u00adv\u00e9e pri\u00advi\u00adl\u00e9\u00adgi\u00e9e de pou\u00advoir regar\u00adder, j\u2019assistais \u00e0&nbsp;quelque chose d\u2019important qui se pas\u00adsait.<br><br>[ Ce point est tr\u00e8s impor\u00adtant pour moi&nbsp;: on pour\u00adrait croire que la spec\u00adta\u00adtrice dit qu\u2019elle devient pas\u00adsive en regar\u00addant. Non, elle devient t\u00e9moin, n\u2019est plus dans l\u2019imitation, mais dans le pro\u00adces\u00adsus cr\u00e9a\u00adtif. En th\u00e9\u00e2tre forum, le spec\u00adta\u00adteur n\u2019a pas envie de jouer comme l\u2019acteur, il a&nbsp;envie de jouer comme lui-m\u00eame le ferait. En cela, il est bien plus actif que le spec\u00adta\u00adteur clas\u00adsique.]<br><br>* Les \u00e9l\u00e9\u00adments th\u00e9\u00e2\u00adtraux peuvent s\u2019incorporer avec faci\u00adli\u00adt\u00e9 et bon\u00adheur dans l\u2019improvisation dan\u00ads\u00e9e, pour\u00advus qu\u2019ils soient intro\u00adduits spon\u00adta\u00adn\u00e9\u00adment.<br><br>* Cette danse fait du bien \u00e0&nbsp;regar\u00adder.<br><br>* \u2019\u2019Toshi\u00adko, L\u00e9o, Andr\u00e9ine\u2019\u2019 :<br>(:line\u00adbreaks:)<br>-&gt;Sor\u00adtir des che\u00admins exis\u00adtants.<br> Concor\u00addances et syn\u00adchro\u00adni\u00adci\u00adt\u00e9. Poly\u00adchro\u00adni\u00adci\u00adt\u00e9.<br> Pas de com\u00adp\u00e9\u00adti\u00adtion entre dan\u00adseurs.<br> Eco\u00adno\u00admie de moyens dans la sc\u00e9\u00adno\u00adgra\u00adphie, dans la pra\u00adtique de la danse.<br> Un \u00ab&nbsp;je ne sais quoi&nbsp;\u00bb \u00e0&nbsp;l\u2019oeuvre.<br> Mieux que si pla\u00adni\u00adfi\u00e9.<br> Pas une minute d\u2019ennui, \u00e0&nbsp;dan\u00adser ou \u00e0&nbsp;regar\u00adder&nbsp;: rien \u00e0&nbsp;jeter dans une telle impro.<br> Les sen\u00adsa\u00adtions guident \u00e0&nbsp;chaque ins\u00adtant, m\u00eame si les yeux sont clos.<br> Les lumi\u00e8res impro\u00advi\u00ads\u00e9es au der\u00adnier moment, et impr\u00e9\u00advi\u00adsibles (soleil, mou\u00adve\u00adment des branches), font par\u00adtie de la danse.<br> Rythme vivant tout au long de l\u2019impro, avec ten\u00adsions et rel\u00e2\u00adche\u00adment, inten\u00adsi\u00adt\u00e9s et casua\u00adli\u00adt\u00e9s, et les entre-deux o\u00f9 tout devient pos\u00adsible.<br> Repr\u00e9\u00adsen\u00adta\u00adtion pos\u00adsible en ate\u00adlier ouvert, ou en danse forum, moins en spec\u00adtacle clas\u00adsique&nbsp;: le spec\u00adta\u00adteur est par\u00adtie int\u00e9\u00adgrante du pro\u00adces\u00adsus d\u2019improvisation bas\u00e9 sur les sen\u00adsa\u00adtions, puisque celles-ci sont influen\u00adc\u00e9es par le public.<br> La pra\u00adtique du spon\u00adta\u00adn\u00e9 d\u00e9ve\u00adloppe la capa\u00adci\u00adt\u00e9 \u00e0&nbsp;s\u2019y relier et \u00e0&nbsp;l\u2019exprimer. L\u2019\u0153uvre en est d\u2019autant plus aboutie.<\/p><p style=\"color:green; text-align:right !important;\">Article cr\u00e9\u00e9 le 16\/02\/2020<\/p>","protected":false},"excerpt":{"rendered":"<p>Danse recherche\u2192 L\u2019\u00e9criture de la danse recherche !! Sc\u00e9\u00adna\u00adrios autour d\u2019une impro\u00advi\u00adsa\u00adtion \u2013 juin&nbsp;2006 \u2019\u2019Ce texte a&nbsp;\u00e9t\u00e9 \u00e9crit \u00e0&nbsp;la suite d\u2019une pr\u00e9\u00adsen\u00adta\u00adtion publique d\u2019un tra\u00advail de L\u00e9o\u00adnar\u00addo Cen\u00adti et Toshi\u00adko Oiwa avec Andr\u00e9ine Bel.\u2019\u2019 \u2019\u2019\u20191 -\u2019\u2019\u2019 Nous avons com\u00admen\u00adc\u00e9 en ne fai\u00adsant que ce que le corps d\u00e9ci\u00addait de faire, en mou\u00adve\u00adments invo\u00adlon\u00adtaires et semi-invo\u00ad\u00adlon\u00ad\u00adtaires. Bou\u00adle\u00adver\u00adse\u00adment, enthou\u00adsiasme. Beau\u00adt\u00e9 sublime de l\u2019instant en par\u00adfait accord avec le res\u00adsen\u00adti. Le corps est coor\u00addon\u00adn\u00e9, tout est en mou\u00adve\u00adment, chaque cel\u00adlule. Est-ce \u00e0&nbsp;mon\u00adtrer&nbsp;? C\u2019est [\u2026]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[138],"tags":[225],"class_list":["post-286","post","type-post","status-publish","format-standard","hentry","category-l_ecriture","tag-dr_ecriture"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sc\u00e9narios autour d\u2019une improvisation - Le TILT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.leti.lt\/wordpress\/danserecherche-scenariosautourduneimprovisation\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sc\u00e9narios autour d\u2019une improvisation - Le TILT\" \/>\n<meta property=\"og:description\" content=\"Danse recherche\u2192 L\u2019\u00e9criture de la danse recherche !! Sc\u00e9\u00adna\u00adrios autour d\u2019une impro\u00advi\u00adsa\u00adtion \u2013 juin&nbsp;2006 \u2019\u2019Ce texte a&nbsp;\u00e9t\u00e9 \u00e9crit \u00e0&nbsp;la suite d\u2019une pr\u00e9\u00adsen\u00adta\u00adtion publique d\u2019un tra\u00advail de L\u00e9o\u00adnar\u00addo Cen\u00adti et Toshi\u00adko Oiwa avec Andr\u00e9ine Bel.\u2019\u2019 \u2019\u2019\u20191 -\u2019\u2019\u2019 Nous avons com\u00admen\u00adc\u00e9 en ne fai\u00adsant que ce que le corps d\u00e9ci\u00addait de faire, en mou\u00adve\u00adments invo\u00adlon\u00adtaires et semi-invo\u00adlon\u00adtaires. Bou\u00adle\u00adver\u00adse\u00adment, enthousiasme. Beau\u00adt\u00e9 sublime de l\u2019instant en par\u00adfait accord avec le ressenti. Le corps est coor\u00addon\u00adn\u00e9, tout est en mou\u00adve\u00adment, chaque cellule. Est-ce \u00e0&nbsp;mon\u00adtrer&nbsp;? 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