{"id":122,"date":"2020-02-16T15:30:32","date_gmt":"2020-02-16T14:30:32","guid":{"rendered":"https:\/\/www.leti.lt\/wordpress\/?p=122"},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-29T22:00:00","slug":"danseforum-linfluence","status":"publish","type":"post","link":"https:\/\/www.leti.lt\/wordpress\/danseforum-linfluence\/","title":{"rendered":"L\u2019influence"},"content":{"rendered":"

Danse forum<\/a>
\u2192 Comptes-ren\u00addus des ate\u00adliers<\/a>
\u2192 Lam\u00adbesc<\/a>

!!L\u2019influence \u2013 19 novembre 2005

Quatre par\u00adti\u00adci\u00adpants.

Nous avons com\u00admen\u00adc\u00e9 par les appuis au sol : d\u00e9ve\u00adlop\u00adper une ges\u00adtuelle,
le corps en \u00e9qui\u00adlibre sur un appui, sur deux, puis trois etc.,
jusqu\u2019\u00e0 ce que le corps soit en contact maxi\u00admum avec le sol. Puis
enle\u00adver les appuis, un \u00e0 un. Faire varier le temps, puis les che\u00admins
emprun\u00adt\u00e9s.

Idem \u00e0 deux, en ayant un point d\u2019appui sur le par\u00adte\u00adnaire (pres\u00adsion et
\u00e9ti\u00adre\u00adment en alter\u00adnance). Idem \u00e0 tous. Mal\u00adher, Maes\u00adsian.

Les direc\u00adtions en tant qu\u2019appui spa\u00adcial. Les cou\u00adloirs lat\u00e9\u00adraux,
fron\u00adtaux et en dia\u00adgo\u00adnal d\u00e9ter\u00adminent les mou\u00adve\u00adments. Puis les axes du
corps se diver\u00adsi\u00adfient, t\u00eate-regard, \u00e9paules et hanches
s\u2019individualisant dans la marche et la ges\u00adtuelle, cha\u00adcune de ces
trois par\u00adties pou\u00advant se pla\u00adcer dans une direc\u00adtion dif\u00adf\u00e9\u00adrente. Bach.

Le c\u00f4t\u00e9 \u00ab m\u00e9ca\u00adnique de d\u00e9con\u00addi\u00adtion\u00adne\u00adment \u00bb est assez \u00e9trange ou
d\u00e9ran\u00adgeant dans cette approche des direc\u00adtions, selon que l\u2019on se
foca\u00adlise sur le c\u00f4t\u00e9 d\u00e9con\u00addi\u00adtion\u00adne\u00adment des habi\u00adtudes pos\u00adtu\u00adrales ou
sur le c\u00f4t\u00e9 m\u00e9ca\u00adnique.

Impro\u00advi\u00adsa\u00adtion uti\u00adli\u00adsant libre\u00adment les apports des exer\u00adcices pr\u00e9\u00adc\u00e9\u00addents.

Pause.

Nous avons fini sur une courte exp\u00e9\u00adrience de danse forum, avec un
th\u00e8me qui s\u2019est d\u00e9ga\u00adg\u00e9 peu \u00e0 peu : celui de l\u2019influence, com\u00adbien
chaque par\u00adti\u00adci\u00adpant peut gar\u00adder son id\u00e9e ou envie de base tout en
inter\u00adagis\u00adsant avec autrui.

- un dan\u00adseur en impro\u00advi\u00adsa\u00adtion libre sur les chants de griots du Mali. Les autres regardent en spec\u00adta\u00addan\u00adseurs

- un spec\u00adta\u00addan\u00adseur entre dans le champ d\u2019impro du dan\u00adseur. Obser\u00adver en quoi sa ges\u00adtuelle influence celle du dan\u00adseur, quelle rela\u00adtion s\u2019\u00e9tablit, les com\u00adpro\u00admis, les assu\u00adrances

- un deuxi\u00e8me spec\u00adta\u00addan\u00adseur rejoint la sc\u00e8ne. Puis un troi\u00adsi\u00e8me.

Obser\u00adver com\u00adment les quatre impros s\u2019assemblent tout en res\u00adtant indi\u00advi\u00adduelles.

Ce qui est appa\u00adru c\u2019est que la seule pr\u00e9\u00adsence dans l\u2019espace du corps
de l\u2019autre invite \u00e0 l\u2019attention, et ce qui s\u2019est modi\u00adfi\u00e9 en pre\u00admier
est l\u2019espace ges\u00adtuel, puis le rythme et donc l\u2019\u00e9nergie s\u2019en est
trou\u00adv\u00e9e chan\u00adg\u00e9e, bien que cha\u00adcun ait gar\u00add\u00e9 son id\u00e9e et sa ges\u00adtuelle
de base.

Deuxi\u00e8me pro\u00adpo\u00adsi\u00adtion :

- un dan\u00adseur sur sc\u00e8ne, en impro libre

- un spec\u00adta\u00addan\u00adseur entre, danse puis sort

- un autre spec\u00adta\u00addan\u00adseur en fait de m\u00eame

- un autre de m\u00eame.

Nous l\u2019avons vu le dan\u00adseur r\u00e9f\u00e9\u00adrent \u00e9vo\u00adluer dif\u00adf\u00e9\u00adrem\u00adment en fonc\u00adtion
des pro\u00adpo\u00adsi\u00adtions des spec\u00adta\u00addan\u00adseurs et eux-m\u00eames \u00eatre influen\u00adc\u00e9s plus
ou moins par le dan\u00adseur.

Nous avons d\u00e9ci\u00add\u00e9 une pro\u00adchaine fois d\u2019explorer l\u2019interaction sans
influence r\u00e9ci\u00adproque ges\u00adtuelle. Pour voir ce qui se passe lorsque
cha\u00adcun s\u2019en tient \u00e0 sa ges\u00adtuelle sans la lais\u00adser \u00eatre influen\u00adc\u00e9e par
celle de l\u2019autre.

Voi\u00adl\u00e0 ce qui m\u2019est apa\u00adru. Cha\u00adcun est bien\u00adve\u00adnu pour ajou\u00adter,
retran\u00adcher, com\u00admen\u00adter etc.

Andr\u00e9ine bel<\/p>

Article cr\u00e9\u00e9 le 16\/02\/2020<\/p>","protected":false},"excerpt":{"rendered":"

Danse forum\u2192 Comptes-ren\u00ad\u00addus des ate\u00adliers\u2192 Lam\u00adbesc !!L\u2019influence \u2013 19 novembre 2005 Quatre par\u00adti\u00adci\u00adpants. Nous avons com\u00admen\u00adc\u00e9 par les appuis au sol : d\u00e9ve\u00adlop\u00adper une ges\u00adtuelle,le corps en \u00e9qui\u00adlibre sur un appui, sur deux, puis trois etc.,jusqu\u2019\u00e0 ce que le corps soit en contact maxi\u00admum avec le sol. Puisenle\u00adver les appuis, un \u00e0 un. Faire varier le temps, puis les che\u00adminsemprun\u00adt\u00e9s. Idem \u00e0 deux, en ayant un point d\u2019appui sur le par\u00adte\u00adnaire (pres\u00adsion et\u00e9ti\u00adre\u00adment en alter\u00adnance). Idem \u00e0 tous. Mal\u00adher, Maes\u00adsian. Les direc\u00adtions en tant [\u2026]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"categories":[184],"tags":[208],"class_list":["post-122","post","type-post","status-publish","format-standard","hentry","category-ateliers_lambesc","tag-df_lambesc"],"yoast_head":"\nL\u2019influence - Le TILT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.leti.lt\/wordpress\/danseforum-linfluence\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019influence - Le TILT\" \/>\n<meta property=\"og:description\" content=\"Danse forum\u2192 Comptes-ren\u00addus des ate\u00adliers\u2192 Lam\u00adbesc !!L\u2019influence \u2013 19 novembre 2005 Quatre par\u00adti\u00adci\u00adpants. Nous avons com\u00admen\u00adc\u00e9 par les appuis au sol : d\u00e9ve\u00adlop\u00adper une ges\u00adtuelle,le corps en \u00e9qui\u00adlibre sur un appui, sur deux, puis trois etc.,jusqu\u2019\u00e0 ce que le corps soit en contact maxi\u00admum avec le sol. Puisenle\u00adver les appuis, un \u00e0 un. Faire varier le temps, puis les che\u00adminsemprun\u00adt\u00e9s. Idem \u00e0 deux, en ayant un point d\u2019appui sur le par\u00adte\u00adnaire (pres\u00adsion et\u00e9ti\u00adre\u00adment en alter\u00adnance). Idem \u00e0 tous. Mal\u00adher, Maessian. 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